Showing posts with label Bob Baker. Show all posts
Showing posts with label Bob Baker. Show all posts

Sunday, September 1, 2024

#15 (10.1 - 10.4): The Three Doctors.

The 2nd and 3rd Doctors pit their wills against Omega (Stephen Thorne), a Time Lord hero who has gone insane!
The 2nd and 3rd Doctors pit their wills against Omega
(Stephen Thorne), a Time Lord hero who has gone insane!

4 episodes. Running Time: Approx. 98 minutes. Written by: Bob Baker, Dave Martin. Directed by: Lennie Mayne. Produced by: Barry Letts.


THE PLOT:

Dr. Tyler (Rex Robinson), a researcher, brings his cosmic ray monitoring device to UNIT after he picks up unusual readings and after he sees Ollis (Laurie Webb), the man guarding the device, disappear. The Doctor and Jo leave to investigate the scene of Ollis's disappearance. They return to find that Dr. Tyler has also vanished, and that UNIT HQ is under attack by "Gel Guards," creatures made out of antimatter that seem to be specifically hunting for the Doctor.

Overwhelmed and with no options beyond hiding inside the TARDIS, the Doctor sends a distress call to the Time Lords. They have their own problems, however, with their power being drained from inside a black hole. They can't help the Doctor - but, as the Time Lord President observes, "Perhaps he can help himself."

The Doctor is joined by his second incarnation (Patrick Troughton). The Time Lords also send a projection of the Doctor's original version (William Hartnell) to advise. Between the three of them, they come up with a plan that sends them through the black hole to a universe of antimatter - a universe ruled over by Omega (Stephen Thorne), a hero to the Doctor's people for unlocking the secrets of time travel.

Omega supposedly died in the supernova that granted the Time Lords their power. He insists he was "sacrificed," and millennia of solitude have left him hungering for vengeance. He demands that the Doctors aid him - or else he will destroy their entire universe!


CHARACTERS:

The 3rd Doctor: Is annoyed the presence of his more frivolous 2nd incarnation, seeming embarrassed by his younger self's conduct. Though they end the serial on amiable terms, he doesn't hesitate to say that he hopes never to meet himself again. He's determined to stop Omega, but he still feels empathy for his plight. He takes the lead in the interactions with Omega, with the 2nd Doctor more or less acting as both disruptive force and backup.

The 2nd Doctor: Both script and Patrick Troughton turn up the comedy to a far higher degree than was usually the case during his actual era. The story makes his recorder (which was relatively little seen after his first few serials) into something he's obsessive about, though it does pay that off at the end. There is a nice moment when the 2nd Doctor plays up his manic behavior until Omega loses his temper. When the 3rd Doctor demands to know what he's doing, he replies that he's testing their adversary, observing, "The limits of his self-control... aren't very good, are they?"

The 1st Doctor: William Hartnell's poor health resulted in his role being pared back to a handful of pre-filmed inserts, with him addressing the other Doctors from the TARDIS scanner. Faced with his two successors, he reacts like a disappointed father figure at finding "a dandy and a clown," and he provides advice that steers his older selves in the right direction. Though his decline is visible, Hartnell still manages some fine deliveries, and I laughed out loud at several of his line readings.

Jo Grant: She is confused by the appearance of the 2nd Doctor, but she adjusts rapidly to the situation once it's been explained to her. She finds the 2nd Doctor to be "sweet," which sounds a bit like she's gushing over the Doctor's baby pictures (and, in a way, she sort of is). Her loyalty remains to the 3rd Doctor, though, with her refusing to abandon him even when he tries to make her do so.

Brigadier Lethbridge-Stewart: Unless I'm misremembering a later story, I'm fairly sure this story represents the character's low point. The normally composed and rational Brigadier is a complete buffoon here. When he sees the 2nd Doctor, he insists that one of his experiments changed his face back, refusing to listen when both the 2nd Doctor and Benton try to tell him otherwise. When the TARDIS transports them through the black hole, he insists they are in "Cromer." It's only when he finally sees both Doctors together that he even begins to accept reality. 

Sgt. Benton: He gapes in wonder when dragged into the TARDIS. But when the Doctor asks if he's going to say that it's bigger on the inside, he sensibly responds: "It's pretty obvious, isn't it?" There isn't the slightest hesitation in his happiness at seeing the previous Doctor, with whom he's paired for most of Episode Two. He seems slightly exasperated at the Brigadier's recalcitrance, making it a point to "look after" his superior as he strides out to idiotically march on "Cromer."

Omega: He should come across as a tragic villain, a man of brilliance and vision who was lost while making time travel possible. Unfortunately, Stephen Thorne's performance reduces him to a shouty, ill-tempered tyrant. It's left to Jon Pertwee's reactions to convey the sense that this is a great man who's fallen. Thorne shows none of that - and in fairness to him, the script gives him very few opportunities to.


THOUGHTS:

I first watched The Three Doctors a little over twenty years ago, when I got back into Doctor Who as an adult. It was a story I was particularly looking forward to watching, and... I hated it. It was cheap and silly. It felt like a bad comic book, complete with tacky (vaguely Christmas-like) monsters, tinfoil costumes, and sets that seemed to be generously adorned with tinsel.

A couple of decades on, I stand by all of these complaints - only this time, I enjoyed it. Ironically, I think that specifically because my degree of Doctor Who fandom has receded, with it now just one of several shows I enjoy, I was better able to get into the spirit of it.

The Three Doctors launched the tenth season of the series. Though it didn't air anywhere close to the show's actual tenth anniversary, it effectively fulfilled that function. I can only imagine how it must have felt to contemporary viewers at a time when reruns were rare and home video a rare thing. For the majority of viewers, William Hartnell's and Patrick Troughton's Doctors would have existed only in memory; for some, only in what was related by parents or older siblings.

The story fills out its four episodes well. The first part is mostly a standard (if broadly played) 3rd Doctor/UNIT story, with the multi-Doctor aspect introduced near the end. The second builds the mystery, with the 2nd Doctor and UNIT trying to get a handle on events while the 3rd Doctor and Jo explore the quarry... er, impossible world that exists on the other side of the black hole. The last two episodes pair the 2nd and 3rd Doctors as they pit first their will and then their ingenuity against Omega.

The frequent shifts give the story its greatest strength: pace. It's a very basic, slightly Flash Gordon-like story, with the Doctors confronting a futuristic madman. But it moves right along, with a generous amount of humor. I may wish that some of the humor didn't come at the expense of a couple of the characters, but it's light and lively and goes by quickly.


OVERALL:

"Light and lively" pretty well sums up The Three Doctors. The main appeal of the story is right there in the title: three Doctors, with William Hartnell and Patrick Troughton returning to their roles in a way that doubtless evoked waves of nostalgia in 1972.

It's not a story that stands up to any serious scrutiny, and it is very different from Baker's and Martin's ambitious original proposal, Deathworld. That treatment was recently adapted by Big Finish as part of their "Lost Stories" range, and it will be the subject of my next Doctor Who review.

The Three Doctors does its job as a fun celebration of ten years of Doctor Who on air. I used to hate it. On this viewing, I enjoyed it for what it is, but it will still never rank among my favorites. It's a fun romp, though, as long as you don't try to take it at all seriously.


Overall Rating: 6/10.

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Sunday, August 18, 2024

#13 (9.15 - 9.20): The Mutants.

The Doctor and Salosian rebel Ky (Garrick Hagon)
make a discovery in one of Solos's many disused mines.
The Doctor and Salosian rebel Ky (Garrick Hagon)
make a discovery in one of Solos's many disused mines.

6 episodes. Running Time: Approx. 146 minutes. Written by: Bob Baker, Dave Martin. Directed by: Christopher Barry. Produced by: Barry Letts.


THE PLOT:

In the distant future, the world of Solos is under the control of the Earth Empire. Though a barren and primitive planet with an atmosphere poisonous to humans, Solos is also rich in the fuel source thaesium. Based at the orbital Skybase One, the Marshal (Paul Whitsun-Jones) has made it his life's work to change the atmosphere so that it is breathable, but the experiments he has authorized with Professor Jaeger (George Pravda) have given rise to strange mutations among the natives.

The Doctor and Jo arrive with a box from the Time Lords. But they've come at a particularly chaotic moment. An Earth Administrator (Geoffrey Palmer) intends to grant Solos its independence, destroying the Marshal's career in the process. But when he begins to make his official announcement, the Marshal takes advantage of the chaos created by Solosian rebel Ky (Garrick Hagon) to assassinate the man, blaming it on the Solosians.

Soon the Doctor and Jo find themselves on the run from the Marshal's men. But in the heart of the disused mines infested by the transformed mutants, the Doctor makes a startling discovery...


CHARACTERS:

The Doctor: Pertwee finds a few good moments, such as his indignation at Professor Jaeger's experiments resulting in "genocide as a side effect." For the most part, however, he's just going through the motions. His first scene features what I believe is his first botched delivery, as he repeats a line twice in order to get on script. Given that another actor does the same a few episodes later, I'm inclined to lay blame at director Christopher Barry rather than at the actors themselves.

Jo Grant: As I've noted in the last two reviews, Season 9 has been very good to the character of Jo Grant, who has been compassionate, resourceful, and quick-thinking. Until The Mutants, that is. This story reduces her to "generic companion" status. She exists for two reasons: to receive exposition from either the Doctor or Ky, and to be put in jeopardy so that the Doctor or Ky can rescue her. Even Katy Manning's chemistry with Pertwee doesn't provide the same lift as the season's previous stories, as the script unwisely separates them for most of the running time.

The Marshal: Paul Whitsun-Jones's Marshal initially seems to just be a "Pompous Bureaucrat," motivated by worries about his career and his future back on Earth should his mission to Solos end in failure. On first viewing, I remember spending the first few episodes wondering when the real villain would show up. Nope, the Marshal is it... which honestly might have worked, had the script played up how his position made him a serious threat despite him being just a dull little man at heart. But the story plays out as if the Marshal is inherently intimidating, which just isn't the case. Credit to Paul Whitsun-Jones, though, who gives his all to make this weakly written character register.


THOUGHTS:

The Mutants is the first Pertwee story that I'd actually describe as "bad." The script is both clichéd and very silly - which wouldn't be a problem, if it didn't take itself so extraordinarily seriously. It's also heavily padded, stretched like taffy to fill six episodes with a tale that would have felt minor and unexciting at four.

Pertwee and Manning find a few moments, particularly when they're on screen together - but they're separated early on and spend most of the rest of the serial in separate strands, with neither performer finding much chemistry with the guest stars they're paired with. This contributes to them giving their weakest performances of the season, and I'd wager also their weakest of their series tenure.

Guest characters are poorly written and thinly motivated. Guards Stubbs and Cotton help the Doctor escape in Episode Two, but I'm honestly not sure why. Native leader Varan (James Mellor) is introduced as the Marshal's ally and Ky as his enemy. But by the middle of the story, Varan is enraged at the Marshal (which at least does make sense in context), while Ky has been defanged thanks to becoming Jo's protector... and, other than getting some extra padding in, I'm honestly not sure why these two couldn't have been combined into a single character, which might also have helped to give that character an actual arc.

There are some moments that are downright bizarre. In Episode Four, Ky leads Jo and the guards to the "safety" of Varan's camp. When it's pointed out that Varan would probably as soon kill them all, Ky insists that he can deal with the man. If he ever had a plan, we don't see it. Varan doesn't even let Ky get a word in before taking all of them prisoner, while the motivation for them separating from the Doctor appears to be to get into danger again to keep the story from ending early.

The unfortunate part is that there are good ideas in the script. The early episodes, in particular, draw parallels between Earth's occupation of Solos and British colonialism. The administrator makes a pompous speech about how the Solosians are "partners" with Earth, but everyone knows who "the overlords" are. Jaeger smirks to the Doctor that the planet no longer belongs to the Salosians, but is now the property of the humans. In case anyone missed the parallels, the Administrator's phrasing of Earth's decision to grant independence to Solos is pretty blunt: "We can no longer afford an empire." This at a time when the existence of the British Empire was still very much in living memory. This in a story from 1972, when the British Empire was still very much in living memory.

I will give the visual effects credit for ambition. There's a scene featuring a hull breach on the space station, with objects and even one character sucked out into space. Several scenes occur in a cave suffused with radiation, with the actors overplaying their way through various greenscreen effects. The effects aren't remotely convincing; coupled with overlighting and plastic-looking monster suits, it adds to the story being one that looks genuinely cheap. But the attempt itself is worth noting.


OVERALL:

The Mutants is a bad story, but there is something vaguely charming about it. It's mostly pretty boring - but when it's not boring, it's unintentionally quite funny. 

It's as if someone threw into a pot all the silliest recurring elements of "Classic Who," and this was the stew that resulted: The caves with the obvious CSO effects, complete with border lines surrounding Pertwee and his co-star... The over-dramatic deliveries of the supporting actors... The space station with the big airport-like directional signs that has less security than a neighborhood convenience store... Pertwee and Manning, both seeming mostly bored... and the overly grave dialogue, most of it delivered with utmost seriousness. If you were to throw together a Bingo card for bad Doctor Who tropes, this story would just about fill every box. 

Bizarrely, it's that very quality that makes it watchable in spite of itself. I won't defend The Mutants, but I don't hate it, either. It may be bad - but it's a comfortable sort of bad.


Overall Rating: 3/10.

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Sunday, August 6, 2023

#7 (8.11 - 8.14): The Claws of Axos.

The Axons come to Earth, bearing gifts...
The Axons come to Earth, bearing gifts...

4 episodes. Running Time: Approx. 97 minutes. Written by: Bob Baker, Dave Martin. Directed by: Michael Ferguson. Produced by: Barry Letts.


THE PLOT:

When an alien spaceship lands near a nuclear power plant, UNIT scrambles to contain the area. They receive a distress call from the ship, identifying it as Axos and begging for immediate assistance. The Doctor, Brigadier Lethbridge-Stewart, and ministry official Horatio Chinn (Peter Bathurst) enter the ship and encounter the Axons.

The Axons offer a simple exchange. If the humans allow them to stay long enough to replenish their fuel supplies, then they will share Axonite, a "thinking molecule" that will greatly expand whatever it is applied to. It can alleviate the world's hunger problems, providing unlimited food - and, as both the Doctor and Chinn recognize with sharply different reactions, also unlimited power.

Suspicious of this gift, the Doctor attempts to study the molecule. Meanwhile, the Axons strike a deal with a prisoner they seized in deep space. This man offered them the planet Earth, and he is more than willing to help them to destroy all life in exchange for his freedom. The Master has come for his revenge...


CHARACTERS:

The Doctor: He disdains Chinn's initial "shoot first, think later" approach to the Axons' arrival, and he feels vindicated when the aliens' distress call is received. Even so, he does not blindly accept their word. Even as Chinn salivates over the power Axonite promises, the Doctor starts poking holes in the aliens' story, asking how they could possibly have had a fuel problem with such a miracle molecule on board. The final episode sees him forced into an alliance with the Master, whereupon he feigns a selfishness to match the Master's own. Pertwee plays these scenes of a petty, self-interested Doctor particularly well, and there's a sense that the Doctor is giving voice to legitimate frustrations with both the humans and the Time Lords who exiled him.

The Master: With the final episode seeing the Third Doctor playing at being a baddie, it's only fair that Roger Delgado's Master gets a moment to play hero. The back half of Episode Three puts him in the Doctor's usual role, forging an alliance with the Brigadier to stop the Axons. It's like a glimpse of an alternate reality where Delgado was cast as the Doctor, and he fills the role well, with authority, intelligence, and no small amount of snark. The story as a whole shows a different side to the character. Instead of being in control, he is a prisoner, trying to scheme his way back to freedom. As a result, even though it's the third Master story in a row, his presence has yet to start feeling repetitive.

Jo Grant: When the Doctor and the Brigadier first enter the Axon ship, they both tell Jo to stay behind. She agrees... only to almost immediately follow them. When she hears cries for help inside the ship, the Axons claim that it's an auditory hallucination. She is upset when the Doctor seems to accept this, and genuinely relieved when the Doctor later tells her that he believed her but didn't want the Axons to know that he did. Her absolute faith in the Doctor is evident in the final episode, when she dismisses even the thought that he might have turned on UNIT.

Brigadier Lethbridge-Stewart: He instantly takes the measure of ministry official Chinn, and he treats him with almost as little patience as the Doctor does. He reacts to Chinn as a minor annoyance, even making him leave the UNIT operations room to use a telephone. Even so, when crisis hits, he puts the politics aside to focus on the more important matter. Though he's reluctant to make any deal with the Master, he bows to the inevitable when the situation becomes hopeless - though he remains wary even after making the agreement.

Pompous Bureaucrat of the Week: Horatio Chinn (Peter Bathurst) is so idiotically, counterproductively self-important that there must be a life sized brass-and-turpentine plated statue of him in the Idiot Bureaucrats' Hall of Fame. His communications with his superiors make it clear that he is poorly regarded within the ministry, with his job hanging by a thread. Chinn is given all the authority he requests - but it's a case of him being given the rope to hang himself, with it made explicit that he will take the fall if (and when) things go wrong.


THOUGHTS:

The Claws of Axos is about as close to a live action comic book as Doctor Who ever got. It's a particularly colorful story, from the Axons' ship to the aliens' outfits to even the monsters. Scenes are short, the action cutting back and forth with the regularity of comic panels. One can almost see the "Whoosh!" that would be added as the Master jumps onto the back of a UNIT truck, while Mr. Chinn is so over-the-top that it's impossible to take him seriously. It all adds up to a story with a decidedly campy, old style comic book tone.

This was the first story from Bob Baker and Dave Martin, who would be regular writers for Doctor Who throughout the rest of the 1970s. It is fair to say that I find them to be hit-and-miss. For every story of theirs that I like, there's another that's... well, haphazard at best. But their debut effort is consistently enjoyable, while at the same time spotlighting their strengths as writers and some of their weaknesses.

A consistent Baker/Martin strength is imagination, and that is evident. While the Axons' plot against Earth isn't anything unusual for the series, their nature is: the ship is organic, grown not built, with the Axons actually a part of their own vessel.

Also evident, however, is the duo's lack of discipline. After scheming against Earth for more than half the story, the Axons suddenly switch goals midway through Episode Three to demanding the secrets of time travel from the Doctor... something they could already have gotten from the Master, who has been their prisoner for an undisclosed period of time. The subplot with Chinn gets a lot of screen time in the story's first half... only for the character to be demoted to "glorified extra" in the second half, his subplot vanishing all but entirely after a last telephone call with the ministry. Also, one of the most enjoyable story beats is the Master's partnership with UNIT at the end of Episode Three. This is a fun change-up that should have been reached sooner and held longer.

All of that acknowledged, The Claws of Axos is never dull, something that can't be said of many stories that I'd otherwise rank as much better. The pace is fast, with short scenes that cut in, get to the point, and move on. The regular cast is well used. Finally, though the tone may be silly and over-the-top, this does not come at the expense of the main characters. Both the Brigadier and his team remain competent throughout, and the Doctor is treating the situation with absolute seriousness.

Finally, while the limited budget shows (two words: shower curtains), I'm a big fan of the set design for the Axos. I won't say it looks convincing, but the production does its job of giving the ship an organic look that matches the cues of the script, along with a brightly colorful aesthetic that matches the comic book sensibilities.


OVERALL:

The Claws of Axos is not a great story. It lacks the layered themes of Dr. Who & the Silurians, the meticulous structure of Inferno, or the urgency of either of those titles. But sometimes you don't want a "great" story; sometimes you just want to turn your brain off and enjoy the ride.

On that level, The Claws of Axos is a success. It may be silly, but it's also fast and colorful. It will never crack my Who Top Ten, or even my Top Twenty... but that it will ever fail to entertain me.


Overall Rating: 7/10.

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