Showing posts with label Don Houghton. Show all posts
Showing posts with label Don Houghton. Show all posts

Sunday, June 18, 2023

#6 (8.5 - 8.10): The Mind of Evil.

The Master pressures the Doctor into helping him control the dangerous Keller Machine.
The Master pressures the Doctor into helping
him control the dangerous Keller Machine.

6 episodes. Running Time: Approx. 147 minutes. Written by: Don Houghton. Directed by: Timothy Combe. Produced by: Barry Letts.


THE PLOT:

UNIT is handling security for a World Peace Conference being held (of course) in London. Everything is running smoothly - until the Chinese delegate is murdered. Brigadier Lethbride-Stewart suspects Chinese Captain Chin Lee (Pik-Sen Lim), whose account of the incident has glaring holes in it. As incidents mount, he demands the Doctor report to him at once.

The Doctor is pursuing his own concern: The Keller Machine at Stangmoor Prison. The machine has been presented as a new method of treating criminals by removing all negative impulses from the mind. The Doctor already sees this as dangerous, even before he witnesses the unusually violent processing of Branham (Neil McCarthy), who is left in a childlike state.

The Doctor believes that the problems at the World Peace Conference are connected to the Keller Machine. When he comes into contact with Chin Lee, who matches the description of Professor Keller's assistant, he is certain of it. And that's before he comes face-to-face with Professor Keller himself - a man better known to the Doctor and UNIT as The Master...


CHARACTERS:

The Doctor: Interrupts repeatedly during the demonstration of the Keller Machine, to a point that I think he could be accurately labeled a heckler. He is authoritative enough that when things start going wrong, the prison's governor listens to him despite his bad behavior. The Doctor not only speaks fluent Chinese, but even is able to address the peace conference's replacement Chinese delegate in the man's specific dialect, quickly earning the delegate's respect and trust. When he is first exposed to the Keller Machine, the fear he experiences is that of burning - a fear drawn from his memories of watching a parallel Earth destroyed in flames, a nice continuity nod to the same writer's Inferno.

Brigadier Lethbridge-Stewart: After spending most of Terror of the Autons deferring to the Doctor, it's a relief to see him back to his crisp and competent Season 7 self. He doesn't need the Doctor's help to figure out that Chin Lee was involved in crimes around the conference; he's more than capable of picking out the inconsistencies in her story all by himself. Also, despite his initial skepticism of a connection between problems at the peace conference and the issues at Stangmoor Prison, he's not so stubborn that he fails to notice when an incident occurs in the proximity of the prison.

Jo Grant: Though she lacks Liz Shaw's qualifications and has a ditzier surface persona, she's neither stupid nor useless. During the first escape attempt by convict leader Mailer (William Marlowe), she is not only able to get away from him - she manages to stop his efforts entirely. She can't do the same when Mailer teams up with the Master, but she still keeps alert for opportunities and puts the ones she's given to good use. She connects well with the Doctor on an emotional level, pushing him to eat and refusing to let him wallow in his grim mood after the Master coerces him into helping control the Keller Machine.

The Master: As good as Roger Delgado was in Terror of the Autons, he's better here, thanks in part to a script that gives him more complex material to play. A mid-story encounter with the Keller Machine leaves the Doctor appearing dead. When the Master discovers him, he reacts with genuine concern. Though he's happy to threaten the Doctor repeatedly, there's real fondness in the interactions between the two. This is an aspect of the Doctor/Master relationship that was particularly strong in the Third Doctor era. Other eras would repeat that they had once been friends; but with Pertwee and Delgado, you felt the friendship, something that wouldn't really be true again until Peter Capaldi's tenure. Oh, and this - only the Master's second story - establishes his fear of the Doctor being superior to him, as seen when the Keller Machine gives him a vision of the Doctor, looming over him, sneering down on him, and laughing.

Capt. Yates: Is put in charge of escorting an illegal missile to be destroyed, lest it be discovered and complicate the conference. It goes without saying that the missile is targeted by the Master. When this happens, Yates stubbornly gives chase. His recklessness gets him caught, but his basic competence allows him to get free and report in, paving the way for the action climax.


THOUGHTS:

The Mind of Evil was writer Don Houghton's second story for the series, after Season 7's splendid Inferno. While it doesn't reach the same level as his first effort, few stories do - and The Mind of Evil is still a fine serial, and one that makes particularly use of the series' ensemble. I find it a genuine shame that this would be Houghton's last contribution to Doctor Who.

One of the elements I best appreciate is that every character gets something to do. With the action spread out, most of the episodes see the Doctor dealing with one situation while the Brigadier deals with another, allowing both men to be entirely competent. Supporting characters are also well-used. Jo gets multiple opportunities to show her ingenuity; Capt. Yates acquits himself well in his own face-off with the Master; and Benton is fallible, sometimes to comedy effect, but is still able to play a major role in the story's big set piece at the end of Episode Five. In short, everybody gets a page.

The story effectively contrasts the strengths and weaknesses of the Doctor and the Brigadier. For all the Doctor's brilliance, his protectiveness toward Jo becomes counter-productive. The first episode cliffhanger almost ends in his death because he insists on dealing with the machine alone; he's only saved because Jo prioritizes new information over the Doctor's instructions to stay away from the room. Lethbridge-Stewart is sometimes rigid in his thinking, but he relies on his people. It's the records kept and retained by his staff that let him catch Chin Lee in her lie early on; and during an operation late in the story, he trusts Benton to lead a key part of the assault despite a failure earlier in the serial.

I thoroughly enjoy Jon Pertwee's performance here. At the start of the story, the Third Doctor is his usual, imperious and rather arrogant self. However, in the scenes with the Chinese delegate, he shows a Doctor who knows when to dial that back, behaving entirely respectfully even as the Brigadier seethes with impatience. Still later in the story, after helping the Master to temporarily rein in the machine, he is left exhausted by the effort - to the point that it falls to Jo to draw him back to life when he appears to want nothing more at that moment than to just give into his weariness. The script provides all these varied notes, and Pertwee hits each note perfectly.

The color recordings of these episodes were destroyed in the 1970s, and for decades this story was only available in black & white. This is how I first viewed the story, and it actually lends itself rather well to monochrome. That said, the recoloring done for the DVD release is extremely welcome. There are a few moments in Episode Two when the color fades in and out a bit, but it's otherwise so steady that I wouldn't have been able to tell that it was a recoloring job. From what I've read, re-releases have further improved the color realization, as well.


OVERALL:

The Mind of Evil is a good story. Action is generally well-staged, and Don Houghton's scripts use the ensemble to excellent effect while at the same time telling an enjoyable suspense story. I remembered liking this one - and I'm happy to say that the story lived up to my memories of it.


Overall Rating: 8/10.

Previous Story: Terror of the Autons
Next Story: The Claws of Axos

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Saturday, October 2, 2010

#4 (7.19 - 7.25): Inferno

The Brigade Leader: The Brigadier in a fascist alternate timeline!

7 episodes. Written by: Don Houghton. Directed by: Douglas Camfield, Barry Letts (uncredited).  Directed by: Barry Letts.


THE PLOT

The "Inferno" is the name given to an ambitious drilling project overseen by Professor Stahlman (Olaf Pooley). He believes that piercing the Earth's core will release a gas that will provide a tremendous new energy source, and he is very close now to proving his theory.  All is not well, however. Stahlman is over-anxious to complete the drilling quickly, disregarding safety and ignoring dissenting voices. This has put him at odds with Sir Keith Gold (Christopher Benjamin), the executive director whose calls for caution have led the professor to regard him as an enemy.

As drilling nears completion, a green liquid begins to emerge from the #2 drill - a substance which, when touched, transforms men into Primords, murderous savages.  The Doctor should be on hand to find answers to these transformations. But an attempt to repair his TARDIS console has carried him sideways in time - to an alternate dimension where the UK is a fascist government, with fascist versions of all of the Doctor's associates. In this parallel dimension, the drilling is more advanced, with the problems leading the Doctor to a horrifying yet inescapable conclusion: If Stahlman's project is not stopped, it will mean the end of the world!


CHARACTERS

The Doctor: None of the Doctors exactly suffers fools gladly, but this is particularly true of the Third Doctor. He needles and belittles Stahlman from literally their first seconds on screen together. It is not a particularly constructive approach, as it makes it all the easier for the pig-headed Stahlman to dismiss him as a crank. It's actually rather refreshing, in that the Doctor's own faults act against him.

Pertwee continues to bring a refreshing intensity to his performance, commanding the viewer's attention at every turn. When he shouts that the Earth is "screaming out its rage," his delivery really sells it, making a line that could have been laughably melodramatic into something chilling. More than any other actor to play the role, he dominates the screen. Future seasons would only rarely see the same level of intensity from him; still, in his first run of stories, he has been consistently outstanding.

Brigadier Lethbridge-Stewart: In many ways, the Brigadier and the alternate-universe Brigade Leader are not far apart. Note the scene in Episode One in which the Doctor mocks the Brigadier's appearance in an old troop photo. The Brigadier (barely) tolerates the Doctor's good-natured mockery - but when Benton smiles along with him, the Brigadier wipes that smile instantly away by fixing him with a vicious glare. The harsher tendencies of the Brigade Leader are there... but kept in check by a basically good man, in a system where military authority has its limits.

They are not the same man, however. We have already seen how the Brigadier reacts when faced with his own death.  When he was caught unarmed, at the mercy of an enemy he had every reason to believe would shoot him, he responded with discipline and courage. The Brigade Leader reacts to the prospect of his own death with savagery and cowardice. Courtney is quite strong in both personas, but he clearly relishes the villainous turn he's allowed to give in the middle episodes.

Liz Shaw: Has become a real friend to the Doctor, and she feels concern when he disappears. When the Brigadier dismisses her worries by stating that he can take care of himself, she replies with a curt, "He's not indestructible, you know." The Doctor has shown enough of himself to her that she realizes that he is a great deal more vulnerable than he lets on. We also see how much faith he places in her judgment, notably in his interactions with her parallel counterpart. He dismisses the Brigade Leader as an oaf almost instantly. However, he never stops trying to reason with Section Leader Shaw, and eventually succeeds in convincing her of the truth of his story. Their relationship has been well-played all season, and it remains so here.  When the Doctor says, "I'll miss you, Liz," to her at the end, I could not help echoing the sentiment.


THE LAST 7-PART STORY

Inferno is the series' final 7-parter. It's easy enough to see why the 7-part format was abandoned. Outside of Seasons One and Seven, it was never a common format, and both script editor Terrance Dicks and producer Barry Letts were vocal in their dislike of it. I also suspect that Inferno's low ratings were partially due to audience fatigue after back-to-back 7-parters.  The stories were good - but that many long stories in a row, particularly screened at a pace of one episode per week, just became tiring for the viewers.

Still, the format has its advantages. One of these is obvious simply from reciting the titles of the series' 7-parters: The Daleks, Marco Polo, The Evil of the Daleks, Dr. Who & the Silurians, The Ambassadors of Death, Inferno. What do all of these wildly different stories have in common? They are all quite good!

I think one of Dicks' chief complaints about the format points to a potential virtue. Dicks has commented that with a 7-parter, there is a constant need to keep the story alive to maintain interest over such a long period.  This makes the job of the writer and script editor more difficult, but the resulting stories are much sharper for it.  The series' 7-parters rarely feel as padded as some of the 6-parters have, and I suspect much of that is because the writers knew that they couldn't get away with just stretching the story to fill the extra time.

Don't get me wrong: The 7-parter should never have been a dominant length, and three in one season was genuinely too many. But I think there should have been a place for the occasional 7-parter in later Who seasons, and their curtailment may have been more of a loss than a gain for the series.


THOUGHTS

It's an even question as to whether this or Dr. Who & the Silurians is the season's best story. I can see either argument. Silurians had a noticeable lull in its middle episodes, getting bogged down during the transition between set up and its climax. Inferno is much snappier in its pacing, retaining intensity throughout. Still, Silurians just pips it for me by being more substantial. Inferno is more immediately gripping while watching, but Silurians sticks more in my mind. Both are outstanding - among the very best serials in Doctor Who's enormously long history.

This is another superbly structured serial, a strength of the entire season. Everything within the story is established in the first episode. The parallel universe subplot? The Doctor makes his test run in Episode 1, running into that intriguing barrier that makes him determined to try again. Sir Keith preparing a complaint to the Ministry about Stahlman's instability? Well, we see Stahlman's obsessive stubbornness right at the start, along with his antagonistic attitude toward Sir Keith. The Primords provide the first cliffhanger. Even the harsh characterization of the Brigade Leader is given some groundwork in the "real" Brigadier, when he gives Benton that glare for laughing along with the Doctor at his expense.

I could pick a few nits if I wanted to. There's a continuity gaffe between Episodes Five and Seven: In Part Five, Sir Keith has persuaded the Minister to suspend drilling pending an inquiry. In Part Seven, he suddenly doesn't have the authority to stop the drilling. Um, oops? Also, the Primords do look a bit silly. Not bad by regular Who standards, but tacky by Season Seven standards.

Still, these issues aren't enough to make me lower my score. As with the rest of the season, Inferno is not only excellent Doctor Who - It's flat-out excellent television.


Rating: 10/10.

Previous Story: The Ambassadors of Death
Next Story: Terror of the Autons


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