Showing posts with label Peter Miles. Show all posts
Showing posts with label Peter Miles. Show all posts

Sunday, June 22, 2025

#21 (11.5 - 11.10): Invasion of the Dinosaurs.

Two dinosaurs fight in central London.
The Doctor watches dinosaurs battle for territory in central London!

6 episodes. Running Time: Approx. 147 minutes. Written by: Malcolm Hulke. Directed by: Paddy Russell. Produced by: Barry Letts.


THE PLOT:

The Doctor returns journalist Sarah Jane Smith to London - except something is wrong. The city has been evacuated, with no activity outside of scattered bands of looters. Eventually reuniting with Brigadier Lethbridge-Stewart and UNIT, the Doctor learns that dinosaurs have been rampaging all over central London. The creatures appear, wreak havoc, and then vanish.

This is no natural phenomenon. Someone is deliberately causing this chaos, using the dinosaurs to clear out the area. Sarah is able to offer a lead: a missing scientist named Whitaker (Peter Miles), disgraced after the scientific community laughed off his theories about time travel.

It's clear that enormous power is required to bring the dinosaurs to present day London. The Doctor and Sarah each follow individual trails to the truth. But their efforts are complicated by sabotage. Somebody inside UNIT is working against them!


CHARACTERS:

The Doctor: As a Time Lord, he has a level of immunity to the time eddies being generated. This allows him to see time reversing when a dinosaur is sent back, something that the UNIT soldiers can't observe as time reverses for them too. He is delighted to meet Charles Grover, the Minister in charge of the emergency, having followed Grover's pro-ecology campaigns, and he tells the MP, "This planet needs people like you." He has less time for Gen. Finch (John Bennett), who is in charge of the military response and whom even the Brigadier regards with thinly veiled disdain. He has a degree of sympathy with the motives of the villains, but he agrees that what they're actually doing is madness.

Sarah Jane Smith: She is far too enthusiastic about telling people that she has information that she hasn't yet shared with others. She makes that mistake twice in this serial, which ends with her being abducted both times. That aside, this is an excellent story for her. As with The Time Warrior, she's presented as a character who could be the lead in her own series (which would, of course, eventually happen). When she feels dismissed by the Doctor and the Brigadier, she actively investigates on her own, and she turns up vital clues. Near the end, actions that she takes are almost enough to resolve the crisis, if not for a single flipped lever. She and the Doctor are separated for almost the entire second half, but the first two episodes allow her and Jon Pertwee to demonstrate good screen rapport, and they are charming together in the final scene.

Brigadier Lethbridge-Stewart: Though he values the chain of command too much not to show proper respect to Gen. Finch, it's still clear that he dislikes both the man and his orders. He's particularly exasperated when the general insists on devoting resources to stopping looters rather than focusing on the larger problem. His faith in his men is such that he has difficulty believing that any member of UNIT could be working with the villains.

Capt. Yates: After he's reunited with the Doctor, he admits that he had to take "a spot of leave" to recover from his brainwashing in The Green Death. He still seems to be suffering from a hint of PTSD, with him openly musing about how peaceful the evacuated London is. He organizes detention centers for looters and other details, and this seems to earn him a degree of trust from Gen. Finch. He uses that to advocate for the Doctor; when Finch dismisses the Doctor's reports as "rubbish," Yates interjects to say that he shouldn't be dismissed so casually. He goes even further in a later scene, stating that the Doctor is "probably the greatest scientist on this planet."

Sgt. Benton: He acts fast when a traitor within the ranks pulls a gun on the Brigadier, jumping the man and disarming him at the first opportunity. When Gen. Finch orders him to arrest the Doctor, he agrees - only to immediately tell the Doctor to knock him unconscious in order to stage an escape. He later pulls a gun on Gen. Finch to enforce UNIT's jurisdiction. Finch vows to court martial him, a threat that doesn't seem to bother Benton in the slightest.


THOUGHTS:

To get it out of the way up-front: The dinosaur effects are pretty much what you'd think they'd be, greenscreen shots of what look suspiciously like cheap plastic toys, and the directorial choices make them look even worse than they had to.

Too many of the shots featuring the dinosaurs are in bright daylight, showing off the cheapness to full disadvantage. Worse still, most of these shots are allowed to run for entire seconds longer than they should. Late in the story, there is one scene featuring a dinosaur underground, in dim lighting, and the scene works much better - but that scene is, sadly, the exception.

Outside of the "very special" effects, Invasion of the Dinosaurs has a lot going for it. In a series filled with evil megalomaniacs, this serial's villains believe that their actions are fully justified. I confess to preferring antagonists who believe they are in the right, rather than ones who are simply "Eeevil." They even have a worldview the Doctor can sympathize with, to a point; they've just taken it to an extreme conclusion.

The first episode is reminiscent of the first part of The Dalek Invasion of Earth, with the regulars exploring a mostly empty London and trying to determine what has happened. The T-rex doesn't get unveiled until the cliffhanger, leaving most of the episode to build atmosphere and mystery. This opening installment also allows us to see the Doctor and Sarah together as a team - a good thing, given that they were separate for much of their first story and are separated again for the back half of this one.

The final two episodes are quite good. The Doctor gets involved in a car chase that's one of this era's better such sequences. There's genuine cleverness as he uses the environment to his advantage. The scene also creates momentum by giving him a double problem: evading Finch's soldiers while at the same time racing to reach the villains' lair before they can put their plan into action.

Unfortunately, the narrative bogs down in the middle. There is repetition, from multiple attempts to sabotage the Doctor to multiple trips back and forth between locations. It never devolves into tedium, but there's a sense of the action being stretched to fill six parts.

Even in the midst of the tedious middle episodes, the serial manages to deliver what I think might be one of Doctor Who's best cliffhangers. Episode Three doesn't end with characters in danger. Instead, it delivers a sudden narrative curveball, one that doesn't at first glance seem to fit with the rest of the story at all. It's well-executed, from the reveal itself to Sarah's look of shock at hearing it, and it does its job of hooking you into the next episode if only to get an explanation.


OVERALL:

There's a lot to like about Invasion of the Dinosaurs. The ideas are interesting, and there are several memorable sequences, including an excellent car chase and an outstanding Episode Three cliffhanger. The story does a good job of showing off new companion Sarah Jane Smith, who gets strong material with the Doctor in the first half and on her own in the second half.

I remember when this story was almost universally derided by fandom simply because of the cheap dinosaurs. The dinosaurs are cheap, and iffy directorial choices make that even more apparent than it should have been - but this is a good, solid story at its core, and I've been glad to see its reputation recover over the last decade or so.


Overall Rating: 7/10.

Previous Story: The Time Warrior
Next Story: Death to the Daleks

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Thursday, September 23, 2010

#2 (7.5 - 7.11): Dr. Who & the Silurians

The Doctor tries to make peace between humanity
and the Silurians. Few on either side agree with him.

7 episodes.  Written by: Malcolm Hulke.  Directed by: Timothy Combe.  Produced by: Barry Letts.


THE PLOT

UNIT is called to investigate a series of power failures at an atomic research facility. The Brigadier is inclined to agree with the facility's security chief that sabotage is responsible. But high occurrences of nervous breakdowns lead the Doctor in a different direction. After he sees the most recent patient, who witnessed a friend's death in the caves beneath the station, drawing detailed paleolithic designs on the walls of his hospital room, he becomes convinced that something is in those caves.

The caves are home to the Silurians, a race of intelligent reptiles who ruled the Earth long before humanity evolved. They went into suspended animation when their scientists projected a disaster that would rip away Earth's atmosphere. Now they are beginning to awake, to find that the guttural apes have evolved into humanity and taken over their world.

The Doctor wants to find a way for the two species to peacefully co-exist. Unfortunately, he seems to be the only one even trying to make peace.  Scientist Dr. Quinn (Fulton Mackay) wants to exploit the Silurians' knowledge for his own gain, and Security Chief Baker (Norman Jones) fires a careless shot that accidentally injures one of the aliens. With an aggressive young Silurian (Peter Halliday) gaining power among his race by urging violence, and with the Brigadier ordering soldiers into the caves in force, it seems inevitable that this hostile first contact will erupt into a full-blown inter-species war!


CHARACTERS

The Doctor: As good as Pertwee was in Spearhead from Space, he is even better in this serial. He brings both credibility and authority to the role, reacting to moments of high drama and intensity without indulging in ham. Note particularly his line deliveries for the Episode Five cliffhanger ("The first one") or his reaction to the serial's final scene. He nails the gravity and emotion of the situation while still remaining effectively understated.

I particularly enjoyed his interactions with the Brigadier. In the beginning, when investigating the mystery of the power outages, he shares every discovery. Once he learns of the Silurians, however, he becomes increasingly secretive. From Episode Three onward, he is pursuing his own agenda, withholding information from the Brigadier and even acting against him at one point. This is far from the "UNIT Family" of later years. The Brig and the Doctor are two intelligent, strong-willed individuals... but in the right circumstances, they are as apt to work against each other as with each other.

Brigadier Lethbridge-Stewart: He dismisses the Doctor's evidence in Episode One, noting that a mental patient drawing pictures on a wall isn't proof of anything and that torn out pages from a logbook could as easily be concealing incompetence as sabotage.  This isn't Lethbridge-Stewart being a stubborn fool. He is, instead, challenging the Doctor to do more.  "Bring me something I can't dismiss," he snaps when the Doctor protests.

He is also quite ruthless in doing whatever the situation dictates. There's a tiny, entirely nonverbal moment at the start of Episode Six. As the Silurian disease is spreading to a nearby hospital, a doctor and a nurse stand over a dead body, wondering what is happening. The Brigadier orders them to go back inside. When they hesitate, he draws his gun and holds it at the ready. His body language is such that we are in no doubt that he is fully prepared to shoot both of these civilians, if that is what's necessary to prevent them spreading the disease.

Liz Shaw: Liz represents a middle ground between the Doctor and the Brigadier. When the Brigadier takes his action at the end, the Doctor is shocked. Liz is not. She didn't have foreknowledge, but she understands what was done and why. Liz is the closest thing to an audience stand-in that we have... and she does not fully endorse either viewpoint. She understands the Brigadier's deeds; she understands the Doctor's outrage; and she neither supports nor condemns either man. It is left to the viewer to decide; and given the events of the final two episodes, I suspect more than a few contemporary viewers felt that the Brigadier was in the right, or at the very least that his actions were defensible.

Dr. Quinn: His desire for fame and credit is key to the entire series of events. Had he listened to the urgings of his assistant, Miss Dawson (Thomasine Heiner), to go to the Doctor with what he knew, then the situation would likely have turned out very different.  Instead, he jealously guards what he knows.  By the time the Doctor manages to catch up with Quinn's knowledge, it is already too late. Though this role is essentially a villainous one, actor Fulton Mackay plays against that, emphasizing Quinn's outwardly calm and friendly manner. He's so genial, it's a bit startling when that mask finally dissolves into angry paranoia in Episode Three. 


THOUGHTS

Barry Letts took over as producer with this serial. The handover from Sherwin to Letts is all but invisible, though Letts' influence is felt in the toning down of humor. If anything, bits of it may be too straight-faced. Dialogue such as, "She was found in the barn, paralyzed with fear. She may have seen something!" cannot help but provoke giggles, particularly when Pertwee delivers the line with such gravity.

Still, these moments of unintentional comedy are few in number, and they do little to interfere with a gripping and intelligent story. Malcolm Hulke's scripts, fine-tuned by script editor Terrance Dicks, are expertly structured. Like Spearhead from Space, the episodic structure is used in a very methodical way.

Episode One sets up several mysteries (the presence in the caves, the power outages, the logbook, the drawings on the wall).  We start to get answers as early as Episode Two... but at the same time, the stakes begin to rise. Baker's careless shot, which ricochets and wounds a Silurian, sets in motion the conflict that comes to dominate the rest of the serial. Episode Three effectively follows a manhunt for the wounded Silurian, and the end of that episode and the beginning of Episode Four represent the last points at which the crisis might be forestalled.

Episodes Four and Five shift focus to the Silurians themselves. The pace sags a bit here, not helped by the obvious rubber monster outfits, but this section is still vital to the story.  We see that the violence of the "ape creatures" has sparked a power struggle, with the results ratcheting the tension to the crisis point for the final episodes.

Episode Six, centered on the Silurian plague, offers the spectacle of a gradually spreading epidemic. This subplot is (perhaps too easily) resolved in Episode Seven, but there's no release granted, as the story barrels right along to its climax.  Even after the Doctor stops a potential catastrophe, there's no reassuring tag to grant viewers release. The serial ends on an uncomfortable note.  The Doctor wins, in that he stops the Silurians from wiping out and/or subjugating humanity. But in his other goal - peace between the Silurians and the humans - he fails utterly.

I'd be remiss in not mentioning how expertly the story plays with the Silurians' reveal. In Episode One, Dr. Quinn and Miss Dawson discuss a mysterious "them," but the aliens are not shown at all. Episodes Two and Three allow us glimpses of them, but only in shadows or silhouetted by the sun.  The rest of the time, their scenes involve point-of-view shots, with the viewer only allowed to see the reptilian arms.  It is only at the cliffhanger to the third episode - the point at which the narrative thrust changes from investigating a mystery to dealing with the fact of the Silurians - that we actually see one of the creatures clearly.

It is a wonderful build-up, and it makes the Silurians real.  By the time we actually see one, the obvious rubber suit barely matters. The world in which the serial exists has become believable, making it easier to accept the Silurians. One of the triumphs of Season Seven in general, and this serial in particular: By presenting each setting, and the characters populating it, with such a strong sense of authenticity, the monsters and aliens become more real, and thus far more interesting (and unsettling).


Rating: 10/10. Despite a slight sag in the middle, this remains one of the series' all-time greats.

Previous Story: Spearhead from Space
Next Story: The Ambassadors of Death


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